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DTSTART;VALUE=DATE:20240104
DTEND;VALUE=DATE:20240109
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CREATED:20191202T095631Z
LAST-MODIFIED:20231103T205334Z
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SUMMARY:[:en]PIANO - Prof. Hardy Rittner (University of Music Freiburg)[:de]KLAVIER - Prof. Hardy Rittner (Staatliche Hochschule für Musik Freiburg)[:]
DESCRIPTION:Teacher\nCourse Details\nAccommodation\nRegistration\nCosts\nImpressions\n\n\nTeacher:  \nHardy Rittner is a pioneer in the field of historically informed performance of nineteenth century keyboard music. At the same time he is a member of a new generation of pianists who are at home both on period instruments and on the modern concert grand piano\, interpreting a repertoire extending to contemporary music. \nHardy focuses on researching Chopin and making his insights tangible in concert performances. Hardy’s book “Die vergessene Cantilene. Frédéric Chopin’s misunderstood virtuosity” (dissertation for Dr. phil.\, publication in September 2022) brings new insights into the performance of Chopin’s music. Its key finding is that Chopin pursued a ‘vocal ideal’ influenced by bel canto (amongst others) even in his virtuoso passages. The book propagates a fundamentally different Chopin playing and leads to the conclusion that previous reference interpretations do not correspond to Chopin’s intentions. Hardy’s expertise shaped the new Chopin editions by Bärenreiter\, where Hardy introduces notes on performance practice and fingerings based on historical models. \nHardy has performed in most European countries at such distinguished venues as Philharmonie Berlin\, Konzerthaus Berlin\, Alte Oper Frankfurt\, Kurhaus Wiesbaden\, Historische Stadthalle Wuppertal\, Rudolf-Oetker-Halle Bielefeld\, and Tonhalle Düsseldorf. Concert engagements have also led Hardy to the United States\, Canada\, China\, South Korea\, and Taiwan. \nFor the Detmold label MDG\, the two-time Echo Klassik laureate has recorded the first complete rendition – on period instruments – of Johannes Brahms’s solo piano music; his discography includes a live recording of Brahms’s first piano concerto with the historically informed l’arte del mondo orchestra (conductor: Werner Ehrhardt)\, Chopin’s complete études\, and Arnold Schönberg’s piano oeuvre. \nHardy received fellowships from Studienstiftung des Deutschen Volkes and Herbert-von-Karajan-Centrum Vienna. From 2009−2012\, he was supported by Bayer Kultur as a stART-Künstler. \nAfter studying piano and fortepiano with Karl-Heinz Kämmerling and Siegbert Rampe at Mozarteum Salzburg\, Hardy continued his education at Universität der Künste Berlin\, where he studied piano with Klaus Hellwig (“Konzertexamen”) and music theory (“Diplom”) with Hartmut Fladt. Christian Zacharias\, Krystian Zimerman\, Ivo Pogorelich\, Maria J. Pires\, and Sylvain Cambreling were also among those who contributed to his education as a performing artist. \nHardy is a professor for piano and artistic research at Musikhochschule Freiburg and gives masterclasses in Germany and abroad. \n\n\nDates:  \n\nArrival: Thursday\, January 4\, 2024\, until 2 pm \nClosing concert: Sunday\, January 7\, 2024\, 5 pm \nDeparture: Monday\, January 8\, 2024\, after 2 pm \nCourse Description: \n\nPiano-works from all periods: from Baroque over Classic and Romantic to Modern Music; preparation for exams\, concerts and competitions \nRepertoire: \nPiano solo or for four hands           \n\n\nAccommodation: \n \n  \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Prof. Rittner\, or \n(b) submit an unedited video audition (YouTube link) for review. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: December 4\, 2023 \n\n\nTuition: \nCourse fee (incl. accommodation): €520\,- \n\n\nSteinway Grand Piano – Period Instrument vs. Modern Instrument: A comparison with Prof. Hardy Rittner: 
URL:https://www.sg-imfa.com/events/piano-prof-hardy-rittner/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Piano
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231026
DTEND;VALUE=DATE:20231031
DTSTAMP:20260605T175210
CREATED:20221229T102047Z
LAST-MODIFIED:20231016T143448Z
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SUMMARY:[:en]PIANO - Prof. Klaus Sticken (Music and Arts University of the City of Vienna)[:de]KLAVIER - Prof. Klaus Sticken (Musik und Kunst Privatuniversität der Stadt Wien)[:]
DESCRIPTION:Teacher\nDates\nCourse Details\nAccommodation\nRegistration\nCosts\n\n\nTeacher: \n© Martin Teschner\nKlaus Sticken is a versatile and distinctive pianist with over 25 years of concert experience. He performs in such venues as the Tonhalle Zurich\, the Great Hall of the Tchaikovsky Conservatoire in Moscow\, the Philharmonie in Kiev\, the Megaron in Athens\, the Konzerthaus in Berlin and the Musikhalle in Hamburg. His successes in the Concours Clara Haskil in Vevey\, the Grand Prix Maria Callas in Athens and the Hamamatsu International Piano Competition in Japan led\, amongst other engagements\, to concerts with the Warsaw Philharmonic Orchestra\, the Orchestre de Chambre Lausanne\, the Ukraine State Orchestra and the Berlin Symphonic and Moscow Symphonic Orchestras. He undertakes concert tours throughout Europe and in the Far East. \n\n\n\nHis creative engagement with piano music is well displayed in the theme-based recitals for various radio stations\, the Deutschlandradio\, Radio Suisse Romande and Westdeutsche\, Mitteldeutsche and Hessische Rundfunk and others. Sticken also works with experimentally minded partners such as the Kuss Quartet or the author and pianist Cord Garben and tries out new methods of presenting music and text with the poet Oskar Ansull. Recordings for the CD label Thorofon and many radio productions of seldom heard masterpieces by Clementi\, Reubke\, Strauss\, Martin\, Honegger\, Korngold and Rota provide evidence of the wide-ranging nature of his repertoire. \nThrough his teachers Vladimir Krainev\, Vitaly Margulis\, Gyorgy Sebok and Alfred Brendel Klaus Sticken has become familiar with very varied approaches to music. Besides his concert activity serves as a professor of piano at the Music and Arts University of the City of Vienna. \n\n\n\n\n\n\nDates:  \n\nArrival: Thursday\, Oktober 26\, 2023\, until 2 pm \nClosing concert: Sunday\, October 29\, 2023\, 5 pm \nDeparture: Monday\, October 30\, 2023\, until 12 am \n\n\nCourse Description: \n\nPiano-works from all periods: from Baroque over Classic and Romantic to Modern Music; preparation for exams\, concerts and competitions \nRepertoire: \nPiano solo or for four hands           \n\n\nAccommodation: \n \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Prof. Sticken\, or \n(b) submit an unedited video audition (YouTube link) for review. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: October 22nd\, 2023 \n\n\nTuition: \nCourse fee (incl. accommodation): €500\,-
URL:https://www.sg-imfa.com/events/piano-prof-klaus-sticken-music-and-arts-university-of-the-city-of-vienna/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Piano
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DTSTART;VALUE=DATE:20230720
DTEND;VALUE=DATE:20230725
DTSTAMP:20260605T175210
CREATED:20230529T102319Z
LAST-MODIFIED:20230529T111159Z
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SUMMARY:[:en]ART SONG "Conteporary Music is not dissonant per se"- Prof. Hendrik Bräunlich (University of Music and Theatre "Felix Mendelssohn-Bartholdy" Leipzig)[:de]LIED „Neue Musik ist nicht per se dissonant“ - Prof. Hendrik Bräunlich (Hochschule für Musik und Theater „Felix Mendelssohn-Bartholdy“ Leipzig)[:]
DESCRIPTION:Teacher\nDates\nCourse Details\nAccommodation\nRegistration\nCosts\n\n\nTeacher: \nHendrik Bräunlich\, was born in Leipzig. Prof. Bräunlich’s pianistic talent\, as well as his general involvement in music have been nurtured since early childhood. \nFrom 1986 to 1992 he studied at the Hochschule für Musik und Theater (Music Conservatory) “Felix Mendelssohn Bertholdy” in Leipzig with emphasis on vocal accompaniment\, piano solo and instrumental accompaniment.  There\, under the tutelage of Maestro Eugen Wangler\, he developed a love for the singing voice\, and a passion for accompanying it. \nFrom 1992 to 1997 he studied song interpretation in the postgraduate program at the same conservatory with Lied professor and mentor Prof. Karl-Peter Kammerlander\,  During this same period he was given the opportunity to work privately with Charles Spencer\, with whom he studied most extensively\, and Prof. Hartmut Höll – both great lied interpreters. In addition\, he accompanied master classes of well-known singers such as Elisabeth Schwarzkopf\, Dietrich Fischer-Dieskau\, Peter Schreier\, Thomas Hampson and Jakob Stämpfli.  Mr. Stämpli\, impressed with his work\, invited him to accompany a master class in Sion (Suisse) during the Tibor Varga Festival. \nProf. Bräunlich’s success at the Varga Festival as well as his association with other famous artists led to additional invitations to accompany international singing competitions  such as the Schumann in Zwickau and the Bach in Leipzig. Charles Spencer used his influence to introduce Mr. Bräunlich to world-renowned mezzo-soprano\, Christa Ludwig\, with whom he became associated for many years – accompanying her master classes in Gumpoldskirchen near Vienna\, Wiener Musikverein\, Villecroze in France and a national conference of German-speaking singing teachers in Halle/Saale\,) to name a few. \nProf. Bräunlich’s accompanying skills were indeed also acknowledged by the fact that he himself became a prize-winner: in 1993 he won the Felix Mendelssohn-Bartholdy Prize in Berlin\,  and in the same year\, the accompanying prize at the International Singing Competition in Tauberbischofsheim. In 1994 he received an award at the International Brahms Singing Competition in Hamburg\, and in the 1997 Deutscher Musikwettbewerb awarded him a scholarship. In 1998 he was prize-winner at the first International Hilde Zadek Singing Competition in Passau. \nThe attention generated by these German music competitions enabled Prof. Bräunlich to start a concert career.  It also resulted in repeated invitations to accompany the above-mentioned competitions and master classes. \nProf. Bräunlich has recorded for all major German broadcasters. He has also participated in various CD projects\, including the first recording of Lieder by Georg Göhler.  Other CD recordings include “Hausmusik bei Schumanns” with the Calmus Vocal Ensemble Leipzig\, and the award-winning CD of the clarinetist Nicola Jürgensen. \nIn 1992 Prof. Bräunlich was offered a permanent full-time teaching position at the Leipzig Conservatory; the association with this institution continues to this day.  The pedagogical commitment he has to his students\, and his support of their individual development is obviously enriched by his personal history of performing and accompanying. \nIn 2005\, under the auspices of the ERASMUS exchange program\, he was invited – together with Leipzig Conservatory Voice Prof. Dr. Jeanette Favaro-Reuter – to participate in coaching Lieder of Felix Mendelssohn Bartholdy at the Royal College of Music in London. During this period he also tought during the  Leipzig Summer Courses of Puccini’s “Tosca” as well as master classes of clarinettist Allan Key and Prof. Dr. Favaro-Reuter. \nOver the last years Prof. Bräunlich has offered classes\, free of charge\, at the Leipzig Conservatory with primary emphasis on Piano Lied literature of the 20th and 21st centuries. He has offered addition classes on topics such as “Robert Schumann´s Lieder” and “Claude Debussy´s Lieder and Chants”. \nHis involvement with 20th and 21st century Lied has led Prof. Bräunlich to an even greater concentration on contemporary music. In 2022\, together with soprano Lisa Fornhammar\, he developed a special New Music Program. The theme for the 2023/24 session is “New Music is not per se dissonant”. \n\n\nDates:  \n\nArrival: Thursday\, July 20\, 2023\, until 2 pm \nClosing concert: Sunday\, July 23\, 2023\, 5 pm \nDeparture: Monday\, July 24\, 2023\, after 2 pm \n\n\nCourse Description: \n\nDieser Kurs möchte nach Möglichkeit mit Duos arbeiten. Diese können wir auch gemeinsam zusammenstellen. Wobei es nicht darauf ankommt\, ob jede teilnehmende Person nur mit einer anderen Person zusammenarbeitet. Es können gerade die Pianistinnen. zw. Pianisten auch mit mehreren Gesangspartnerinnen bzw. -partnern zusammen musizieren. \nSo habe ich es selbst bei Wettbewerben während der Runden mit einigen Teilnehmenden zu tun gehabt\, was meine Qualität nicht minderte. Meine Idee ist folgende: Jeder teilnehmende  Person sucht sich eine bis zwei Liedgruppen aus und bereitet diese vor. Dann können wir während der Kurstage an den Liedern arbeiten und das Erarbeitete zum Schluss in einem Abschlusskonzert vorstellen. \nDies setzt voraus\, dass jeder seine Stücke handwerklich gut parat hat\, um damit arbeiten zu können. Die Programmfolge des Konzertes sollte dann auch der meiner Ankündigung entsprechen. \nRepertoire: Neue Musik ist nicht per se dissonant \nIch habe ein Programm zusammengestellt\, welches den tonalen Aspekt der Stücke in den Mittelpunkt rückt. Denn wir sind es gewohnt\, nach atonalen Klängen meist eine Auflösung in Form einer Konsonanz zu erwarten. Und diese gibt es in erstaunlich vielen Liedern der Neuen Musik. \nDas Programm beginnt mit drei Liedern aus den „Walzergesängen\, Op. 6“ von Alexander von Zemlinsky. Diese sind\, wie er selbst äußerte\, nicht modern\, sondern im Spätromantischen verwurzelt. \nNr. 1 Liebe Schwalbe\nNr. 5 Blaues Sternlein\nNr. 6 Briefchen schrieb ich \nDanach zwei Brettl-Lieder des Entdeckers der Dodekaphonie\, Arnold Schönberg. Diese insgesamt acht Lieder (zwischen April und September 1901 komponiert) gehen auf sein Engagement als Leiter de Berliner Cabaretts Überbrettl zurück. \nZwei davon habe ich ausgewählt: Gigerlette und Arie aus dem Spiegel von Arkadien \nDarauf folgen die vielleicht berühmtesten Schüler\, nämlich Anton von  Webern und Alban Berg. Zuerst Webern. Er kommt\, wie auch sein Lehrer und sein Mitschüler Berg\, aus der Tradition der Wiener Spätromantik. Nur in wenigen  Klängen meint man das Kommende zu hören\, eher zu ahnen\, die musikalische Struktur steht noch ganz im Zeichen der Tradition: Vorfrühling\, Blumengruss\, Fromm und Heiter \nDann Alban Berg\, dem Romantiker der Zweiten Wiener Schule. Von ihm habe ich die quasi nicht explizit „Neuen Lieder“ ausgewählt\, nämlich aus den “Sieben frühen Liedern: Die Nachtigall  und Im Zimmer. \nDer „zweiten Wiener Schule“ folgt ein anderer österreichischer Komponist\, Gottfried von Einem. Von ihm habe ich ein Lied gewählt aus seinen „Zwölf Tag- und Nachtliedern“. Das Stück „Eine Treppe abwärts steigend“ zeigt seine Individualität gut und vermittelt trotzdem nicht das Quere der Neuen Musik. \nNach dem ersten Teil mit ausschließlich deutschsprachigen Tonsetzern gibt es einen zweiten Teil mit amerikanischen Komponisten. Diese haben sich \, vor allem nach dem zweiten Weltkrieg\, eine guten Ruf gemacht im ansonsten eher prüden Amerika: Zuerst ein Komponist mit sizilianischen Wurzeln\, Dominick Argento. Er fühte sich zeitlebens zur Musik George Gershwins und zur amerikanischen Vokalmusik hingezogen. Von ihm habe ich aus seinem Zyklus “Six Elizabethan Songs” folgende ausgesucht: Diaphenia und Hymn \nIhm folgt ein eher sich der leichteren Klassik verpflichtender Musiker\, Marc Blitzstein. Er komponierte häufig für den Film und so habe ich gedacht\, diese besondere Farbe mit ins Programm zu nehmen. Der Song „I wish it so“ steht ganz in der Linie der für den Film geschaffenen Titel. Nach Blitzstein folgt ein unter anderem mit dem Pulitzer-Preis ausgezeichneten Samuel Barber ein weiterer Amerikaner. Er war nicht nur Komponist\, sondern auch Bariton. Und vielleicht hat er deshalb seine Lieder so eingänhig komponiert. \nZuerst „Sure of this shining night“\, dann das wesentlich düsterere „The Crucifiction“. Zum Schluss noch ein weiterer sehr wichtiger und bedeutender amerikanischer Komponist\, Leonard Bernstein. \nDieser\, aus jüdischer Familie stammend\, war ein extrem erfolgreicher Musikvermittler. Und als Komponist ist uns allen wahrscheinlich seine „West Side Story“ bekannt\, einer Musical-Oper. Aber er hat auch Lieder vertont\, unter anderem den Zyklus „I hate music“. Und aus diesem habe ich den namensgebenden Titelsong ausgewählt. \n\n\nAccommodation: \n \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Prof. Bräunlich\, or \n(b) submit an unedited video audition (YouTube link) for review. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: July 1st\, 2023 \n\n\nTuition: \nCourse fee (incl. accommodation): \nPer Participant: €450\,-\nAs Duo: €800\,-
URL:https://www.sg-imfa.com/events/art-song-prof-hendrik-braeunlich-university-of-music-and-theatre-felix-mendelssohn-bartholdy-leipzig/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Art Song,Instrumental Masterclasses,Vocal Masterclasses
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230601
DTEND;VALUE=DATE:20230606
DTSTAMP:20260605T175210
CREATED:20221122T155637Z
LAST-MODIFIED:20230508T074529Z
UID:10000044-1685577600-1686009599@www.sg-imfa.com
SUMMARY:[:en]PIANO - Prof. Patrick O'Byrne (University of the Arts Bremen)[:de]KLAVIER - Prof. Patrick O'Byrne (Hochschule für Künste Bremen)[:]
DESCRIPTION:Teacher\nDates\nCourse Details\nAccommodation\nRegistration\nCosts\nChinese\nKorean\n\n\nTeacher:  \n© Artem Yasynskyy\nPianist Patrick O’Byrne was appointed in 1985 to a professorship at the Staatliche Hochschule für Musik und Darstellende Kunst\, Stuttgart\, assuming later the senior chair at the Hochschule für Künste\, Bremen. \nHis concert performances worldwide have included appearances with renowned orchestras and illustrious conductors\, among others the New Zealand Symphony Orchestra\, the Bochumer Sinfoniker\, the New York Virtuosi and the Deutsche Kammerphilharmonie under Sir Charles Groves\, Franz-Paul Decker and Albert Rosen. Born in Dublin and raised in New Zealand\, the pianist has received international awards for his interpretations of French\, Spanish and contemporary music. His repertoire encompasses all styles.\n \n\n파 트 릭 오 번 – Patrick O ’B yrne \nBiography\n더블린 태생 뉴질랜드 오클랜드 대학졸업\n퀸 엘리자베스 2세 예술 장학금\, 영국 런던과 파리\, 국립 프라이부르크 대학졸업\n(독일 DAAD 장학금)\nRosa Sabater\, Alicia de Larrocha\, Kendall Taylor\, Vlado Perlemuter사사 \n\n1978년 뉴질랜드 음악대상\, 동경 국제 콩쿨\, 스페인 Jaén 콩쿨\,\n영국 Dudley 콩쿨\, 마요르카 콩쿨 입상\,1983년 José Iturbi 국제 콩쿨 대상.\n스페인 음악대상\, 국제비평가상 \n\nNew York Virtuosi\, Bochumer Sinfoniker\, New Zealand Symphony Orchestra\, Auckland Philharmonia\, RTE Symphony Orchestra\, KBS Symphony Orchestra 등 유명오케스트라와 협연 및 TV 및 라디오 녹음 출연. \n\n독일 국립 슈투트가르트 음대 교수 및 부학장 역임.\n브레맨 국립음대 교수 및 학장 역임 \n그의 피아노 테크닉과 해석은 많은 국제 콩쿨 및 유명 마스터클래스에서 탁월한 교수\n법과 해석으로 정평이 나 있으며\, 훌륭한 제자들을 키워내고 있다. \n\n\n\nDates:  \n\nArrival: Thursday\, June 1st\, 2023\, until 2 pm \nClosing concert: Sunday\, June 4\, 2023\, 5 pm \nDeparture: Monday\, June 5\, 2023\, after 2 pm \n\n\n\n\nCourse Description: \n\nPiano-works from all periods: from Baroque over Classic and Romantic to Modern Music; preparation for exams\, concerts and competitions \nRepertoire: \nPiano solo or for four hands           \n\n\nAccommodation: \n \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Prof. O’Byrne\, or \n(b) submit an unedited video audition (YouTube link) for review. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: May 22nd\, 2023 \n\n\nTuition: \nCourse fee (incl. accommodation): €520\,- \n\n\n\n帕特里克·奥比恩 (Patrick O’Byrne）出生于都柏林 毕业于新西兰奥克兰大学\n\n曾获伊丽莎白女王二世艺术奖学金，英国伦敦和巴黎毕业于弗莱堡国立大学 (德国DAAD奖学金)。 曾与 Janetta McStay、Rosa Sabater、Alicia de Larrocha、Kendall Taylor、Vlado Perlemuter等人 一起学习。 \n曾获（个人荣誉经历）： 1978 新西兰音乐奖，东京国际比赛，西班牙哈恩比赛，\n1983年英国达德利比赛大奖、马略卡岛比赛大奖、何塞·伊图尔比国际比赛大奖、 西班牙音乐奖、国际评论家奖。 \n曾与纽约Virtuosi、波鸿交响乐团、德国室内爱乐乐团、新西兰交响乐团、奥克兰爱乐乐团、RTE交响乐团、KBS交响乐团等著名乐团合作，并出现在电视和广播唱片中。 \n录制并发行了多张室内乐CD，包括拉威尔所有歌曲、Granados (Goyescas) 和莫扎特钢琴协奏曲。\n曾于德国斯图加特音乐大学担任教授兼副校长。\n于德国不来梅国立音乐大学担任教授兼院长。 \n他的钢琴技法和理解在许多国际比赛和著名大师班（美国、日本、巴西、意大利、中国、韩国等国家）中以出色的教学方法和解说而出名，培养出了大批优秀的学生。 \n\n\n\n\n \n\n\n\n 
URL:https://www.sg-imfa.com/events/piano-prof-patrick-obyrne-university-of-the-arts-bremen/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Piano
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DTSTART;VALUE=DATE:20230427
DTEND;VALUE=DATE:20230502
DTSTAMP:20260605T175210
CREATED:20221122T152027Z
LAST-MODIFIED:20221221T060701Z
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SUMMARY:[:en]VIOLIN - Prof. Marianne Boettcher (Berlin University of the Arts)/Kensei Yamaguchi[:de]GEIGE - Prof. Marianne Boettcher (Universität der Künste Berlin)/Kensei Yamaguchi[:]
DESCRIPTION:Teacher\nCourse Details\nAccommodation\nRegistration\nCosts\n\n\nTeacher:  \n \nMarianne Boettcher\, violinist from the famous Berlin musician family\, studied in Berlin under Professor Willy Kirch and Professor Michael Schwalbé\, rounding off her studies in Geneva under Professor Henryk Szeryng. She teaches at the University of the Arts Berlin. She has gotten great recognition for playing classic and romantic music and has also become known as an interpreter of new music. She has given the first performances of many works written for her by contemporary composers. \nShe has won many prizes and has made a number of recordings for radio\, television and the records industry in Germany and abroad. Extended concert tours have taken her repeatedly to the USA\, Japan\, Russia and almost every other country in Europe (for example in Rheinsberg\, Prague\, Vienna and Tallinn). She has also been a frequent guest performer at the Berlin Festival\, the International Heinrich Schütz Festival in Sweden\, the German Bach Festival in Berlin and the Vienna Festival. \nThe german president Johannes Rau awarded her 2003 the The Order of Merit of the Federal Republic of Germany. \nKensei Yamaguchi started playing piano at age five. At twelve\, he won the All Japan Student Music Competition\, which allowed him to join the Toho-Gakuen School of Music in Tokyo\, the most prestigious music school in Japan\, under the direction of Professor Hiroko Edo. Upon graduation he received a German National Scholarship to further pursue his studies at the Universität der Künste in Berlin\, under Professors Erich Andreas and Pascal Devoyon. \nMr.Yamaguchi has participated in numerous international piano competitions. He is the winner of Third Prize in Porto International Piano Competition\, Portugal (1998)\, First Prize at Senigallia International Piano Competition\, Italy (1999)\, and of the prestigious First Prize at Monte Carlo Piano Masters\, Monaco (2000). \nHis numerous concert activities include solo performances with Das Sinfonieorchester Berlin\, Filarmonica Marchigiana\, Italy\, Monte Carlo Orchestre Philharmonique\, Orquestra Nacional do Porto\, the Tokyo Philharmonic Orchestra\, the Tokyo City Philharmonic Orchestra\, and the Tokyo Symphony Orchestra. In addition he has appeared in solo recitals and chamber music concerts in most European countries\, Japan\, and the USA. \n\n\n\nDates:  \n\nArrival: Thursday\, April 27\, 2023\, until 12 pm \nClosing concert: Sunday\, April 31st\, 2023\, 5 pm \nDeparture: Monday\, May 1st\, 2023\, until 12 pm \nCourse Description: \n\npreparation for exams\, concerts and competitions \nRepertoire: \nworks for violin from all periods: from Baroque over Classic and Romantic to Modern Music \n\n\nAccommodation: \n \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Prof. Boettcher\, or \n(b) submit an unedited video audition (YouTube link) for review. \nNB: The total number of participants is limited to eight musicians. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: March 27\, 2023 \n\n\nTuition: \nCourse fee: €200\,-\nAccommodation/Facility Fee (obligatory): €200\,-
URL:https://www.sg-imfa.com/events/violin-prof-marianne-boettcher-berlin-university-of-the-arts/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Strings
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220922
DTEND;VALUE=DATE:20220927
DTSTAMP:20260605T175210
CREATED:20220602T155057Z
LAST-MODIFIED:20220603T095610Z
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SUMMARY:[:en]PIANO - Prof. Gottlieb Wallisch (Berlin University of the Arts)[:de]KLAVIER - Prof. Gottlieb Wallisch (Universität der Künste Berlin)[:]
DESCRIPTION:Teacher\nDates\nCourse Details\nAccommodation\nRegistration\nCosts\nImpressions\n\n\n© Uwe Nölke\nBorn in Vienna\, Gottlieb Wallisch first appeared on the concert platform when he was seven years old\, and at the age of twelve made his debut in the Golden Hall of the Vienna Musikverein. A concert directed by Yehudi Menuhin in 1996 launched Wallisch’s international career: accompanied by the Sinfonia Varsovia\, the seventeen-year-old pianist performed Beethoven’s ‘Emperor’ Concerto. \nSince then Wallisch has received invitations to the world’s most prestigious concert halls and festivals: Carnegie Hall New York\, Wigmore Hall in London\, the Cologne Philharmonie\, the Tonhalle Zurich\, and the NCPA in Beijing\, also the Ruhr Piano Festival\, the Beethovenfest in Bonn\, the Festivals of Lucerne and Salzburg\, the December Nights in Moscow\, and the Singapore Arts Festival. Conductors with whom he has performed as a soloist include Giuseppe Sinopoli\, Sir Neville Marriner\, Dennis Russell Davies\, Kirill Petrenko\, Louis Langrée\, Lawrence Foster\, Christopher Hogwood\, and Bruno Weil.\nOrchestras he has performed with include the Vienna Philharmonic Orchestra\, Vienna Symphony Orchestra\, Royal Liverpool Philharmonic\, Gustav Mahler Youth Orchestra\, Frankfurt Radio Symphony\, Festival Strings Lucerne\, Franz Liszt Chamber Orchestra Budapest\, Musica Angelica Baroque Orchestra Los Angeles\, and the Stuttgart Chamber Orchestra. \nIn 2020 his recording of the Complete Beethoven-Piano Concertos on period instruments\, with Orchester Wiener Akademie under Martin Haselboeck was released to great critical acclaim and received an „Opus Klassik“-nomination. \nAfter teaching positions at the Geneva University for Music and the Franz Liszt Music Academy in Budapest\, Gottlieb Wallisch currently serves as professor for piano at the Berlin University of Arts (UdK Berlin). He held master-classes at the Universities of Illinois and Denver\, the Nagoya College of Music\, the Royal Danish Academy of Music in Copenhagen\, the St. Petersburg Conservatory and the International Summer Academy of the Mozarteum Salzburg. \n\n\nDates: \nArrival: Thursday\, September 22\, 2022 until 2 pm\nClosing Concert: Sunday\, September 25\, 2022 at 5 pm\nDeparture: Monday\, September 26\, 2022 until 12 pm \n\n\nPiano-works from all periods: from Baroque over Classic and Romantic to Modern Music; preparation for exams\, concerts and competitions \nRepertoire: \nPiano solo or for four hands           \n\n\nAccommodation: \n \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \nFor further impression\, please visit our venue site. \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Prof. Wallisch\, or\n(b) submit an unedited video audition (YouTube link) for review. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: August 22\, 2022 \n\n\nTuition: \nCourse fee (incl. accommodation): €400\,-
URL:https://www.sg-imfa.com/events/piano-prof-gottlieb-wallisch-berlin-university-of-the-arts-2022/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Piano
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DTSTART;VALUE=DATE:20220828
DTEND;VALUE=DATE:20220905
DTSTAMP:20260605T175211
CREATED:20210324T162110Z
LAST-MODIFIED:20230508T094334Z
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SUMMARY:[:en]PIANO - Tomoko Ogasawara (University of Music Freiburg)[:de]KLAVIER - Tomoko Ogasawara (Staatliche Hochschule für Musik Freiburg)[:]
DESCRIPTION:Teacher\nDates\nCourse Details\nAccommodation\nRegistration\nCosts\nImpressions\n\n\nAfter studying at the State University of the Arts in Tokyo where she was born\, the pianist Tomoko Ogasawara continued her studies in Germany at the University of the Arts in Berlin and the University of Music in Freiburg im Breisgau\, where she received the solo diploma with honors and went on to win 1st Prize in the German Hochschulwettbewerb. \nAmong her teachers were Georg Sava\, Tibor Hazay and Georgy Sebok who influenced her artistic development and led her to early success\, for example as finalist in the international competitions “Maria Canals” / Barcelona and “ Clara Haskil” / Montreux. \nSince then concert engagements have taken Tomoko Ogasawara to the concert halls of the international music world (such as Berlin\, Montreux\, London\, Paris\, Tokyo\, Jerusalem\, Bangkok\, Shanghai). She has played concerts together with Albrecht Mayer\, Jörg Widmann and Tabea Zimmermann and regularly plays with the principals and leading musicians of the Berlin Philharmonic Orchestra\, the Bamberg Symphony Orchestra\, the Bavarian Symphony Orchestra and the SWR Orchestra also in the context of chamber music formations\, such as the piano trio “Franconia”\, the ensemble “Abraxas” and at international festivals such as “Affinis” in Japan. \nAs soloist Tomoko Ogasawara has played\, among others\, with the Symphony Orchestra Berlin\, Lausanne Chamber Orchestra\, Bad Reichenhall Philharmonic Orchestra and the Chamber Philharmonic Orchestra Bamberg. She is featured in numerous radio broadcasts as well as CD recordings. In the season 2006/2007 Ogasawara performed the complete cycle of piano sonatas by W. A. Mozart. \nCurrently Tomoko Ogasawara passes on her musical experience through the teaching position she holds at the University of Music in Freiburg im Breisgau as well as regular master classes in Tokyo and Yokohama. Students of hers have won prizes in both national and international competitions. \n\n\nDates: \nArrival: Sunday\, Juli 31st\, 2023 from until 2 pm\nClosing Concert: Saturday\, August 5\, 2023 at 6 pm\nDeparture: Sunday\, August 6\, 2023 until 12 pm \n\n\nPiano-works from all periods: from Baroque over Classic and Romantic to Modern Music; preparation for exams\, concerts and competitions \nRepertoire: \nPiano solo or for four hands           \n\n\nAccommodation: \n \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \nFor further impression\, please visit our venue site. \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Ms Ogasawara\, or\n(b) submit an unedited video audition (YouTube link) for review. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: Jun 31st\, 2023 \n\n\nTuition: \nCourse fee (incl. accommodation): €590\,-
URL:https://www.sg-imfa.com/events/piano-tomoko-ogasawara-university-of-music-freiburg-2023/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Piano
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DTSTART;VALUE=DATE:20220719
DTEND;VALUE=DATE:20220726
DTSTAMP:20260605T175211
CREATED:20210730T053425Z
LAST-MODIFIED:20220213T174432Z
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SUMMARY:[:en]PIANO - Triantafyllos Liotis (Detmold University of Music)[:de]KLAVIER - Triantafyllos Liotis (Hochschule für Musik Detmold)[:]
DESCRIPTION:Teacher\nDates\nCourse Description\nAccommodation\nRegistration\nCosts\nImpressions\n\n\nTeacher:  \n \nThe celebrated Greek pianist Triantafyllos Liotis began his piano studies with a scholarship at the State Conservatory of Thessaloniki and continued them in Germany with Alfredo Perl (Bachelor and Master Soloist) and Manuel Lange (Master Lieder accompaniment) and Kalle Randalu (Solistenexamen). He completed his studies with first class honors and distinction. Furthermore he gained valuable insights from Sir András Schiff\, Cristoph Eschenbach\, Paul Badura – Skoda\, Bernard Ringeissen\, Ludger Rémy and Thomas Quasthoff. He currently has a piano class at the College of Music in Detmold. \nFil Liotis has already given numerous concerts in various European countries and in Japan and alongside his solo appearances is much in demand as a chamber musician and Lieder pianist. Invitations to international festivals and concerts have led to appearances in important European concert halls with Stuttgart Philharmonic\, the Deutsche Staatsphilharmonie Rheinland-Pfalz\, the Baden Baden Philharmonic Orchestra\, the Athens State Symphony Orchestra and other leading orchestras under acclaimed conductors such as Maestro Christoph Eschenbach and Maestro Vladimir Ashkenazy. His performances are regularly broadcast on international radio and television. \nFil Liotis is a prizewinner in several national and international piano solo and chamber music competitions including the 39th International Grand Prix Maria Callas\, the 61st International Competition Maria Canals Barcelona\, the Grand Prize Virtuoso Vienna International Competition and the Dr. Hermann-Büttner Competition in Karlsruhe. Performing with an ensemble of the Detmold Chamber Orchestra in 2015\, he won an ECHO Klassik award for the CD recording of G. Mahler’s Lied von der Erde for the label MDG. In 2016 Fil Liotis was honored with the Albéniz Medal at Spain’s Isaac Albéniz Festival. His latest CD recording „The Young Beethoven“ (Label MDG) was nominated for an OPUS Klassik Award in 4 different categories. \n\n\nDates:  \nArrival: Tuesday\, July 19\, 2022\, until 12 pm\nClosing concert: Sunday\, July 24\, 2022 at 6 pm\nDeparture: Monday\, July 25\, 2022\, until 12 pm \n\n\nCourse Description: \npreparation for exams\, concerts and competitions \nRepertoire: \nPiano music from the baroque to the classical and romantic periods and contemporary music: Solo\, duo and for four hands; Chamber music and Art Song repertoire \n\n\nAccommodation: \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Mr. Liotis\, or \n(b) submit an unedited video audition (YouTube link) for review. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: June 19\, 2022 \n\n\nTuition: \nCourse fee (incl. accommodation): €500\,- \n\n\n \n 
URL:https://www.sg-imfa.com/events/piano-triantafyllos-2022/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Piano
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DTSTART;VALUE=DATE:20220503
DTEND;VALUE=DATE:20220508
DTSTAMP:20260605T175211
CREATED:20220414T064739Z
LAST-MODIFIED:20220414T105345Z
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SUMMARY:[:en]VIOLA - Prof. Piotr Szumieł (Rostock University of Music and Drama)[:de]BRATSCHE - Prof. Piotr Szumieł (Hochschule für Musik und Theater Rostock)[:]
DESCRIPTION:Teachers\nDates\nCourse Details\nAccommodation\nRegistration\n\n\nTeacher:  \n \nPiotr Szumieł\, born in Warsaw in 1977\, belongs to the group of the most versatile violists of his generation. At a young age he was the recipient of numerous prestigious prizes at international competitions\, including winning the Jan Rakowski Viola Competition in Poznan in 1998\, the special prize at the 36th International Instrumental Competition in Markneukirchen in 2001\, a 2nd prize at the 9th International Johannes Brahms Competition in 2002 in Pörtschach (Austria) and 3rd prize at the Vienna International Viola Competition in 2004. \nBetween 2002 and 2008 he was a member and principal violist of the Dresden Philharmonic and the Dresden Philharmonic Chamber Orchestra\, and is a sought-after juror and teacher on master classes. Piotr Szumiel has been doing very intensive educational work for many years – he is a lecturer for viola and chamber music at the College of Music „Carl Maria von Weber” (since 2005)\, between 2013-2018 he was a lecturer at the “Karol Szymanowski” Academy of Music in Katowice and from October 2019 at the University of Music and Drama in Rostock\, where he has been a professor since April 2020. \nPiotr Szumieł has played in London’s Wigmore Hall\, the Berlin Philharmonie\, the Wiener Konzerthaus and the Wiener Musikverein\, Megaron in Athens\, the Cologne Philharmonie\, Citè de la musique Paris\, Palais des Beaux Arts Brussels\, Konserthuset Stockholm\, Concertgebouw Amsterdam\, Warsaw Philharmonic and much more… \nAs a chamber musician\, he has worked together with the following artists: Alena Baeva\, Martin Fröst\, Gabriela Montero\, István Várdai\, Garrick Ohlsson\, Vadym Kholodenko\, Valentin Erben\, Nils Mönkemeyer\, Kevin Kenner\, Igor Levit\, Per Arne Glorvigen\, Jörg Widmann\, Charles Richard-Hamelin\, Polina Leschenko\, Ewa Kupiec. \nAs a soloist\, Piotr Szumieł works with conductors such as José Maria Florêncio\, Vladimir Kiradjiew\, Anu Tali\, Gérard Korsten\, Hugh Wolf\, Teowyn Evans\, Ernst Kovacic\, Petri Sakri\, Baldur Bronnimann and has performed with numerous orchestras\, including the Dresden Philharmonic\, BBC Symphony Orchestra\, Radio Symphony Orchestra Vienna\, the Philharmonic Chamber Orchestra Dresden\, BBC National Orchestra of Wales\, and the National Radio Symphony Orchestra Katowice. \nPiotr Szumieł studied at the „Fryderyk Chopin” Music Academy in his hometown in the viola class of Prof. Stefan Kamasa\, where he graduated with distinction in 2001. Later\, he continued his viola studies with Prof. Wolfgang Klos and chamber music with Prof. Johannes Meissl at the University of Music and Performing Arts Vienna\, where he also graduated with distinction in 2010. \nIn addition to his solo and didactic activities\, he devotes himself intensively to the “Apollon Musagète Quartet”\, founded in 2006. In the two years of its existence\, this ensemble has not only gained outstanding recognition from critics\, but also from the juries of major music competitions. After winning international music competitions in Vienna and Florence\, the quartet quickly established itself as a fixture on the European music scene after receiving the 1st prize and almost all special prizes at the 57th ARD International Music Competition. \nPiotr Szumieł is the recipient of the “Young Poland” scholarship program of the Minister for Culture and National Heritage and the “Burletti Buitoni Trust Award” (2014) for outstanding artistic achievements with the “Apollon Musagete Quartet”. \nThe artist conducted workshops and master classes in Austria\, Germany\, Hong Kong and Poland. He took part in the work of the jury at international viola and chamber music competitions in Shanghai\, Hong Kong\, Katowice and Meissen. \n\n\n\nDates:  \nArrival: Tuesday\, May 3rd\, 2022\, until 12 pm \nClosing concert: Friday\, May 6\, 2022\, 7 pm \nDeparture: Saturday\, May 7\, 2022\, until 12 pm \n\n\nContents: preparation for exams\, concerts and competitions \nRepertoire: Works from all periods: from Baroque over Classic and Romantic to Modern Music \n\n\nAccommodation: \n \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \nFor further impression\, please visit our venue site. \n\n\nThis masterclass is already fully booked. Further applications are not possible. 
URL:https://www.sg-imfa.com/events/viola-prof-piotr-szumiel-rostock-university-of-music-and-drama/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Strings
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DTSTART;VALUE=DATE:20211207
DTEND;VALUE=DATE:20211212
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SUMMARY:[:en]PIANO — Prof. Birgitta Wollenweber (Hanns Eisler College of Music Berlin)[:de]KLAVIER — Prof. Birgitta Wollenweber (Hochschule für Musik Hanns Eisler Berlin)[:]
DESCRIPTION:Teachers\nDates\nCourse Details\nAccommodation\nRegistration\nCosts\n\n\nTeacher:  \nGerman pianist Birgitta Wollenweber\, born near Cologne commencement of piano studies at the Music Academy of Detmold in 1982 under Prof. Renate Kretschmar-Fischer (student of Conrad Hansen) 1986 State piano teacher examination with distinction Award winner of the ”Federal German Chopin Competition Darmstadt“ 1987 Artistic diploma with distinction 1988 Promotion award by the Hannover Chopin Society First Prize of the Chopin Competition Cologne First Prize of the GEDOK Interpreter Competition Attendance of international master classes under Hans Leygraf\, Halina Czerny-Stefanska and Bruno Leonardo Gelber\, as well as under Gerhard Oppitz for the study of Beethoven´s piano opus in the house of Wilhelm Kempff in Positano 1988 – 89 Study at the Royal College of Music\, London under Peter Wallfish with a DAAD scholarship Joy Scott-Prize of the Royal College of Music\, London 1990 Concert exam at the Academy of Music Detmold. \nRelocation to Cologne City 1991 Winner of the Scholarship at the ”German Music Competition“ and acceptance to the ”Federal Selection of Concerts for Young Artists” of the German Music Council Promotion by the Werner Richard-Dr. Carl Dörken Foundation\, by the Friedrich Jürgen Sellheim Society and by the cultural office of the state Nordrhein-Westfalen with solo and orchester concerts \n1994 first Solo-CD Relocation to Berlin 1995 Third Prize at the ”International Piano Competition Maria Canals\, Barcelona” and the award for best performance at the finale 2002 Founder of Soloists-Ensemble Berlin 2007 Birth of daughter Lea \nSince 1982 Piano recitals\, chamber music and concerts with orchestras in Europe\, Japan and in the United States Invitations to festivals\, such as the Rhineland Music Festival\, Ludwigsburg Castle Festival\, International Music Festival Dinu Lipatti\, Sinaia\, Romania\, Art Festival Weimar\, International Beethoven Festival Bonn\, Chopin Festival Marianske Lazne\, Czechoslovakia\, Piano Summer in the Beethoven House Bonn\, Rheingau Music Festival\, La Musica – International Chamber Music Festival\, Sarasota (Florida)\, Schleswig-Holstein Music Festival \nRecordings for radio and TV Several CD-Productions \nSince 2002 she has been Professor for piano at the Hanns Eisler School of Music Berlin and its interims director from 2014 to 2015. \nMaster classes in Europe and Asia \nPhoto credentials: Manuel Krug \n\n\nDates:  \nArrival: Tuesday\, December 7\, 2021\, until 2 pm \nDeparture: Saturday\, December 11\, 2021\, until 12 pm \n\n\nContents: \npreparation for exams\, concerts and competitions \nRepertoire: \nPiano works from all periods: from Baroque over Classic and Romantic to Modern Music;  \nPhilosophy: \n„For me\, music contains the reflection of all traits and characteristics of life\, like a personal mirror for our experiences and desires. The spiritual text of a Beethoven inspires me. The romantic urging of a Chopin is changed into emphasis and the humour of a Haydn exhilarates me. Contemporary compositions arouse diverse methods of approach in me. My most essential experience dealing with music is the extraction of energy from playing. \nI have always felt the urge to pass my experiences on to students. Thereby\, a fertile collaboration can only take place when a relationship of trust is established between teacher and student. Thus\, space can be created for the pursuit of something new and for the imprint of one’s own imagination. Thereby\, it is necessary to open oneself to a new language without denying cultural roots\, as well as\, to welcome challenges and stimulations. The musician should be aware of the responsibility towards the composition and should embrace the composer selflessly to give an authentic performance. Patience should be combined with reflection\, musical intelligence\, and practical organisation\, in order to find a place within today’s music scene.“ \n\n\nAccommodation: \nStudents are hosted on a shared room basis in a beautiful villa on the bank of the Rhine river. \nMeals:  \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: \nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared room basis. \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Prof. Wollenweber\, or \n(b) submit an unedited video audition (YouTube link) for review. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: December 1st\, 2021 \n\n\nTuition: \nCourse fee (incl. accommodation): €450\,-
URL:https://www.sg-imfa.com/events/piano-prof-birgitta-wollenweber-2021/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Piano
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DTSTART;VALUE=DATE:20210826
DTEND;VALUE=DATE:20210831
DTSTAMP:20260605T175211
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SUMMARY:[:en]VIOLIN - Prof. Julia Schröder (University of Music Freiburg)[:de]GEIGE - Prof. Julia Schröder (Staatliche Hochschule für Musik Freiburg)[:]
DESCRIPTION:Teachers\nDates\nCourse Details\nAccommodation\nRegistration\nCosts\nImpressions\n\n\n Teacher:  \n \n“There’s a musician at work who is in love with every note she plays and improvises\, which leaves nothing routine\, only experienced with her fellow musicians and acting technically and artistically at the highest level.”\, writes the Basler Zeitung about the violinist Julia Schröder. \nHer rousing way of playing also inspired soloists such as Sol Gabetta\, Marijana Mijanovic\, Giuliano Carmignola\, Angelika Kirchschlager\, Andreas Scholl\, Patricia Kopatschinskaja\, Giuliano Sommerhalder\, Angela Hewitt\, Nuria Rial\, Julia Leshneva\, Franco Fagioli and Cecilia Bartoli\, with whom Julia Schröder realized many concerts and CD recordings. \nAs concert master and director of the Kammerorchester Basel\, she tours the great halls of Europe\, thus establishing her reputation as an outstanding artist\, director and violinist. In 2010 she was appointed professor for violin at the Musikhochschule Freiburg (Germany). \nHer musical versatility and great ease on the violin make her a sought-after musical partner. His stylistic range from the practice of historical performance to tango\, through jazz\, gives him an authenticity that makes his violin playing incomparable. She is a welcome guest with ensembles such as il Giardino Armonico\, the Freiburg Baroque Orchestra\, the Lauttencompagney Berlin\, Les Passions de l`Ame and the Tango Trio Marcelo Nisinman. \nHer discography was published by Sony BMG. \n\n\n\nDates:  Arrival: Thursday\, August 26th\, 2021\, until 12 pm Closing concert: Sunday\, August 29\, 2021\, 5 pm Departure: Monday\, June 30\, 2021\, until 12 pm \n\n\nContents: preparation for exams\, concerts and competitions Repertoire: Works from all periods: from Baroque over Classic and Romantic to Modern Music;  \n\n\nAccommodation: \nThe beautiful SGIMFA villa on the bank of the Rhine river.\nStudents are hosted on a double-room basis in a beautiful\, fully remodelled\, 1892 villa on the bank of the Rhine river. \nMeals:  A kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. A different team can do the cooking daily\, which can be organize in situ. \nRooms: Committed to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why participants will be hosted on a shared double-room basis. \nFor further impressions\, please have a look online at our venue. \n  \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Prof. Schröder\, or\n(b) submit an unedited video audition (YouTube link) for review. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration Deadline: July 26\, 2021 \n\n\nTuition: \nCourse fee (incl. accommodation): €450\,-
URL:https://www.sg-imfa.com/events/violin-prof-julia-schroder-university-of-music-freiburg/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Academy Calendar,Instrumental Masterclasses,Strings
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DTEND;VALUE=DATE:20210504
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SUMMARY:[:en]VOICE AND PRESENTATION — Prof. Caroline Thomas\, Prof. Fabio Vettraino (University of Music Detmold) and Peter Balint[:de]GESANG UND DARSTELLUNG — Prof. Caroline Thomas\, Prof. Fabio Vettraino (Hochschule für Musik Detmold) und Peter Balint[:]
DESCRIPTION:Teacher\nCourse Details\nAccommodation\nRegistration\nCosts\n\n\nTosca\, Donna Anna and Brünnhilde are roles that belong to the repertoire of Atlanta-born Soprano Caroline Thomas. She was educated at Wesleyan College\, UT-Knoxville\, the Curtis Institute of Music and at the Juilliard School. \nMiss Thomas has settled in Münster\, Germany where she was the Leading Lady of the City Theater of Münster until 2001. Thereafter\, she guested in Catania\, Hannover\, Kiel\, Berlin\, Innsbruck\, Seattle and Washington\, DC.  Conductors she worked with include Gerard Schwarz\, Heinz Fricke\, Robert Spano\, Karl-Heinz Bloemeke\, Mark Russell Smith and Will Humburg. Stage Directors with whom she has worked include Francesca Zambello\, Stephen Wadsworth\, Roland Aeschlimann\, Peter Beat Wyrsch and Brigitte Fassbaender. \nFidelio\, Lady Macbeth\, Aida\, Chrysothemis\, Ariadne\, Kundry\, Elsa\, Leonore in “La Forza del Destino” and Wagner’s Ring of the Nibelungen are all works that she has brought to the stage. Clearly\, a high point of her career was singing Brünnhilde with Placido Domingo for which she was awarded the Washington Antional Opera Artist of the Year Award in 2003. In 2011\, she opened the Wagner Festival in Leipzig and sang in “Siegfried” there. \nConcert works include Verdi Requiem\, Beethoven’s Ninth Symphony\, Mendelssohn’s Elijah\, Pfitzner Von deutscher Seele\, Strauss Four Last Songs and Mozart Requiem.Additional projects  include Verdi Requiem\, Benjamin Britten’s War Requiem and Brahms Requiem as well as regular concert appearances in lieder\, art songs\, arias and gospel. \nSince 2002\, Caroline Thomas has a full professorship at the Hochschule für Musik in Detmold\, Germany. She calls it “the best job in the world!” Training young\, gifted Singers for a life on the Opera Stage is demanding and exciting. Recent graduates are now soloists in Vienna\, Graz\, Bonn\, Mannheim\, Dresden\, Würzberg\, Bielefeld\, Hamm\, Wiesbaden and Wuppertal\, Germany.  She has given Master Classes in Tunesia\, Switzerland\, Italy\, Weselyan\, UT-Knoxville\, for Pro-Mozart\, Kennesaw College\, the University of Minnesota and at the Semper Oper Dresden for the Opera Studio. \nWesleyan College awarded her the “Distinguished Alumnae Award” for her achievements in the Arts and being the first woman Dean at the Hochschule für Musik in Detmold\, Germany. Additional information is available at www.hfm-detmold.de. \n  \nFabio Vettraino was born in Rome in 1961. After completing his studies in mathematics\, he studied piano and conducting at the Conservatorio Santa Cecilia\, earning a degree with honors. He subsequently attended master classes in conducting led by Franco Ferrara\, Pierre Dervaux\, Arpad Jóo and Mosche Atzmon. In 1988\, he also served as an assistant to Atzmon. In 1987\, Vettraino was among the prize-winners at the International Conducting Competition in Assisi. \nAfter working as a vocal coach for a number of years\, first in Foggia and then in Stuttgart and Bremen\, he served as assistant conductor at the Theater am Goetheplatz in Bremen from 1992 to 1996. He has accompanied such singers as Giuseppe Taddei\, Cecilia Bartoli\, Sumi Jo\, Lucia Aliberti and Zoran Todorovic\, and has performed at the Ludwigsburg Festival\, the Alte Oper in Frankfurt and the Dubrovnik Summer Festival\, among others. \nSince 2000\, Fabio Vettraino has been Professor for single roles and ensemble performance at the Hochschule für Musik Detmold. There he has overseen numerous annual productions\, most recently Puccini’s La Bohème\, Bizet’s Carmen\, Rossini’s Il viaggio a Reims\, Humperdinck’s Hänsel und Gretel\, Tchaikovsky’s Eugen Onegin and Massenet’s Cendrillon. \n  \nPeter Balint is a psychologist with additional training in Gestalt Gestalt Psychotherapy (GTA). He has a degree in French\, Italian\, literature and sports. In the field of sports he taught at the institute of sports of the University of Münster\, active in the field of training theory and sports psychology. In between\, he has completed theater courses (together with the opera director Wolfram Mehring)\, cabaret\, singing and musical courses and led a creative music studio; most recently was a teacher at Freiherr-vom-Stein Gymnasium in Münster. \nHe offers: work with mental and physical aspects of the singers’ personality\, work on the attitude of the singer\, the stage presence\, the expression and handling of and with emotions and performance stress\, the fitness and the mindfulness for singers. \n  \n  \n  \n  \n\n\nDates: \nArrival: Thursday\, April 29\, 2021 until 12 pm\nClosing concert: Sunday\, May 2nd\, 2021 at 5 pm\nDeparture: Monday\, May 3rd\, 2021 until 12 pm \nCourse Description: \nPreparation course for the entrance exams of German universities in the field of singing \nCourse contents: \n• Information about contents and procedure of entrance exams\n• Assessment of the existing qualifications of the singers\n• Individual and group coaching on presentation (musicality/vocal skills/dramatic skills)\n• Final concert with feedback \nPhilosophy: \nSuccessful candidates show at the audition\, in addition to a good voice\, which is expandable\, an artistic personality with a musical message! The teachers have many years of experience in the operatic and academic fields and will help young singers during this course to improve their chances at entrance exams. \nThe course will begin with an orientation: every singer will perform an aria/a song\, everybody gets to know each other; then the schedule will be created\, including individual and group lessons\, meal time\, time to practice\, networking\, going for a walk – “admiring” the Lorelei and enjoying the spring on the shore of the Rhine river! \nRepertoire: \nopera\, oratorio\, art song \n\n\nThe beautiful SGIMFA villa on the bank of the Rhine river.\nStudents are hosted on a double-room basis in a beautiful\, fully remodelled\, 1892 villa on the bank of the Rhine river. \nMeals: \nA kitchen is available for cooking; groceries can be bought in a nearby supermarket. Group shopping is advised. \nRooms:\nCommitted to the spirit of romanticism\, all masterclasses offered by the Sankt Goar International Music Festival and Academy unite everything under one roof: living\, learning\, eating and sleeping. That is why active participants will be hosted on a shared double-room basis. \nFor further impressions\, please have a look online at our venue. \n  \n  \n\n\nAudition information and registration: \nIn order to be accepted\, you must meet one of the following criteria: \n(a) be recommended by Prof. Thomas\, Prof. Vettraino or Mr. Balint or\n(b) submit an unedited video audition (YouTube link) for review by Prof. Thomas\, Prof. Vettraino and Mr. Balint. \nIn addition\, you must complete and submit our application form and pay a €40\,- application fee. \nRegistration deadline: April 15\, 2021 \n\n\nTuition (including accommodation): €395\,- \nNB: The tuition is non-refundable\, but transferable to a substitute participant.
URL:https://www.sg-imfa.com/events/thomas-vettraino-balint-2021/
LOCATION:Sankt Goar International Music Academy\, Am Hafen 12\, Sankt Goar\, 56329\, Germany
CATEGORIES:Art Song,Opera/Oratorio,Vocal Masterclasses,Voice
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